I was recently in the Solomon Islands visiting a project site on Kolombangara. On my list of things to see was the weird and wonderful Eyelash Frog – Ceratobatrachus guentheri. As night fell we donned our headlamps and headed out into the forest to begin our search. It was quiet – a little too quiet. We walked for some time, ears cocked in the humid air, before we heard it – almost like a dog howling in the distance. The eyelash frogs were out.
I walked slowly, crunching dead leaves underfoot when a beautiful orange-brown frog betrayed its presence by hopping across the carpet of leaves. My first eyelash frog!
I dropped my camera bag and lay down in front of the frog. Pretending to be a leaf – something these frogs do remarkably well – the frog lifted its head and, well, looked leaf-like. I wanted to give the frog presence within the frame, so I lay on my belly to get as low as possible in front of the animal. I wanted to capture the sharp angles and angular outline and decided this would be best done with a low, frontal view well lit against black background. I decided to rig up two off-camera flashes with softboxes to get a diffuse light that would bring out the color of the animal. I use a Canon 580EX strobe attached via cable to my camera as the master flash and a 430EX as slave. It is a slightly cumbersome setup and I usually end up in various contortions, with camera in one hand, the master flash in another and the slave propped up close by. I try to place flashes as close to the frog as possible without getting them in the frame so the light is as soft and harsh shadows are avoided.
Now to the settings on the camera. I almost always use the camera in manual and set the flashes to manual for macro shots. This allows me to tweak the settings with more control. I closed my aperture down to f/32 to get all of the frog in focus, and set the shutter speed to 1/200th second to block all ambient light, enabling me to fully control the lighting of the shot with flash. I played with the power of both flashes and ended up with both around 1/2 power in both the master and the slave. I wasn’t worried about distracting backgrounds because I had simply blacked it out, so with both flashes angled directly at the frog, this was all I needed to worry about lighting. A couple of test shots to get the power of the flashes right and then click, my first Eyelash Frog photo.
Equipment: Canon 5D MkII, Canon 100mm f/2.8 lens set to f/32 and 1/200th second
A fly crash lands on the head of a Cope’s vine snake, Oxybelis brevirostris, in the Choco of Colombia.
Story Behind the Shot:
We came across this vine snake in the rainforests of Choco, Colombia. The way the snake was sitting, head up and alert, body coiled behind on a green and yellow leaf, offered the perfect photo opportunity. I lay down on my belly in front of the snake and composed the shot so that the eyes were on a level plane and in sharp focus, and the head was framed by the curled body behind.
I set the aperture to f/10 to blur the background but retain enough depth of field to get the eyes in focus. At this close range, depth of field is usually especially narrow so it is often a compromise between depth of field and getting a fast enough shutter speed. As I clicked the shutter a fly decided to use the head as a landing pad for a hot second. At this point I had to try and keep my composure and get the shot. One shot, and then the fly was gone, but luckily I had managed to freeze the moment.
Equipment and settings: Canon 5D MkII, 100mm f/2.8 lens at f/10, 200th second.
A young boy, no older than 5 years old, reaches up to clutch my hand and lead me through claustrophobic alleyways weaving between closely packed tents. Beads of sweat roll down my forehead as I follow. The dead air is suffocatingly hot and heavy with the stench of garbage.
I am touched by the boy’s intentions, naively assuming that he wants to show me his new home. As we near a large tent in the center of the camp, I see a woman applying make-up to another wearing nothing but a towel. The boy turns to me and states bluntly, in Creole, “here are the pretty bitches for you” before releasing my hand and disappearing back into the maze. He has brought me to the camp brothel.
In a nearby camp a young girl with an old face wears ribbons in her hair that match her spotlessly clean pink and white frock. She skips around her disabled father as he conducts a personal tour of what used to be the family home; it now consists of rubble, crumbling walls and a dozen empty wine bottles. Since January they have been confined to a dingy corrugated iron room with a dirt floor and broken bed. They are the lucky ones.
My ten days in Haiti flitted between the surreal and the absurd. Arriving into Port-au-Prince was like touring a movie set – the sight of crumbled buildings and piles of rubble all so familiar, but the sense of voyeurism makes me slightly uncomfortable – I am up close but far removed. Only after traveling the length of the country to revisit the environmental devastation that has ravaged Haiti (that’s a different story but very much the same), followed by several days in tented camps in Port au Prince, did I even scratch the surface of comprehension. As one woman stares me in the eye and recounts how she carried her dead son over piles of bodies to bury him, my scalp prickles as I try to feel the pain that consumes her waking hours and to conjure the images that will haunt her. She flicks through photos of her beautiful children “Dead. Dead. Dead.” She has lost seventeen family members and is on a mission to find and bury each and every one. Seven are still encased in rubble that she can’t afford to move.
The real tragedy is that the suffering is far from over for these people. With hurricane season knocking on their door, it is painfully predictable that horrific images of loss and despair will once again flood our screens and papers in the coming months. People accept their situation with a silent despondence – an indication of a life that has never been easy. When asked about hope, people are unable to describe a brighter future; “it is in the hands of God” is the ubiquitous response. They cannot afford to dream. But what surprised me most of all during my days in the camps was the tenacity of these people. Bubbling under a weary exterior is a desire to live in the present. With a simple smile and “bonjour” thrown in their direction, weary faces are transformed with winning smiles. Children play in the rain and sing for guests such as me. I did not find an angry, hostile people, but one very open and willing – even eager – to share their stories and their lives. It was the humanity that I witnessed in these camps that made the inhumanity of their situation even harder to swallow.
On my way to the airport I passed a corrugated iron fence with the words “We can change” sprawled in black paint. This simple message carried with it a recognition that is rarely heard in Haiti. It was not a cry for help from the outside, but from within. As emergency camps evolve into the new way of life for these people, with everything from cyber cafes to brothels serving as a distraction from the everyday realities, I only hope that whoever sprayed those three words on the corrugated iron fence is right.
This woman in Central Sulawesi is able to see clearly for the first time in years.
The new reading glasses are a gift from Marcy Summers, Director of the Alliance for Tompotika Conservation (AlTo), an NGO working to empower local communities to sustainably care for their own resources. Every sector of the community is engaged: men who used to poach maleo (a unique bird that nests in the sand) and turtle eggs are now employed to monitor them; innovative methods are used to educate children of their immense biodiversity and the importance of preserving it, and women with poor vision are given the gift of sight through reading glasses.
I do not know the age of this woman; and neither did she. It was not important. Our brief meeting made a lasting impression on me. As we departed she held my hand firmly, looked deep into my eye and wished me a “long, healthy and happy life”. Her sentiment could not have felt more heart-felt.